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There is so much to say about this theme, so let us explain it, step by step…. Art can take on many forms.

Art in public spaces

We can find art in shapes, in colours, in sounds or movements. Each of us working together to craft the perfect urban journey is an artist. We are mobility artists. Please contact customerservices lexology. What does the term "public art" mean to you?

The fourth plinth on Trafalgar Square has seen a huge variety of different things temporarily located on it, all of which are pieces of public art. Public art, though, embraces a far wider array of things than one might imagine - inscriptions on a building, ornate entrance gates, street signs, even bollards as well as the more conventional paintings, light installations and sculptures.

Indeed, the Tate defines public art as:. This has been driven, in part, by the recent placemaking activities of large urban landowners in giving particular emphasis to the creation of exciting areas to live, work, socialise and relax with public art as an essential component.

Sculpture in the City , an art and architecture exhibition in the public spaces of the City of London, is a fantastic example of this trend. The exhibition is orchestrated by the City of London Corporation but is, in part, funded by local landowners and landlords as well as by financial contributions from various developers undertaking projects in the City.

Extracts from a future history

Whilst the increase in public art as part of the development process clearly enhances our public spaces there are, however, a number of practical and legal considerations that should be taken into account by landowners who are either considering commissioning or required to contribute towards the cost of installing and maintaining public art. As a first step it is important that an appropriate artist is identified.

If the public art opportunity is put out to tender, a careful and consistent vetting process should be adhered to. The criteria for assessing applications should be clear and made available to all artists wishing to participate, whilst the brief for the commission should clearly identify the space to be filled, the envisaged medium e. If the commission is confidential either in terms of marketing or otherwise a non-disclosure clause should also be included in the commission agreement.

Once the artist has been selected it is crucial that the commissioning party in this article referred to as the landowner and the artist enter into a formal contract setting out what is expected of the artist.

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Particular consideration should be given to how the intellectual property created by the artist is to be dealt with. For example, the commissioning landowner may wish to use the artwork at the centre of its own marketing campaign, emblazoning the image on all marketing materials and seeking to exploit the artwork to its fullest potential.

In this scenario it will be important that the contract assigns the copyright and any other intellectual property rights such as design rights in the artwork to the landowner. It would also be wise to ensure the artist waives their moral rights in the artwork. Moral rights give artists the right to be identified as the creator of the artwork, to object to any derogatory treatment of the artwork and to object to any false attribution. The wall surface is textured and patterned to represent water and the different fish and water animals relevant to the creek near the bridge.

The graphic design of the animals has also been inspired by the sports and games played in the nearby fields. The chub minnows who swim in schools have a basketball net pattern on their bodies. Sunfish scales look almost like soccer ball patterns. The striped stickleback fish has a spine that looks like the cleats on football shoes. Tim worked with the Project Team to develop light towers created from stainless steel frames and river rock gabion bases that act as beacons on the Canal Bridge on Horsetooth Road.

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These vertical elements bookend and accent the railing design that alludes to Horsetooth Rock. The upper portion of towers create a puzzle pattern with buff and dark red sandstone while other sections are translucent with polycarbonate and crushed glass.

Art in Public Places

View PDF. Artist Robert Tully has installed his Mulberry Gateway project. The sculptures are intended to serve as a gateway to Fort Collins. The artwork is a series of sandstone sculptures with colored-metal accents, that will be illuminated for a nighttime presence. While continuing the theme of the stone used on the Mulberry Bridge, the sculptures are also inspired by the prominent buff sandstone cliffs where Highway 14 splits from Highway Landscaping will finish the design of the corner.

The design is currently being created. It utilizes photo-luminescent stones, which glow at nighttime and take advantage of the darker natural surroundings of the creek. For this phase, the placement of a grouping of boulders near the bridge and the creek extend the Wave Walk project. Mirror mosaic on the surface of the boulders reflect the blue sky and clouds, which are the source for rain and snow where most ground water begins. At the base of the boulders, photo-luminescent stones are embedded in cement representing water flows moving toward the creek, which speaks to where the water comes from and how it moves.

This exciting project brings together visual art and music for the public to enjoy.